Angelspit
Ministry, KMDFM and many other bands have requested Angelspit remixes. In viral form, they reduce bandwidth to ash with a massive amount of web content including instructional “blipvert” videos, blogs, tutorials, downloadable stencils, forums and constant online interaction with their fans.
Angelspit’s eight releases have been praised and slandered – including Best Release of 2009 from ReGen magazine, best AND worse new band simultaneously from the same magazine (Italy’s Ritual Magazine 2007 Reader’s Poll), hailed as genius and critised as... read more
Metropolis Records
Metropolis Records grew out of a small record store located in the popular South Street area of Philadelphia, Pennsylvania. Digital Underground, opened in April of 1991, and specialized in the relatively young genres of Gothic and Electro-Industrial music. Although the scene was small, it didn't take long before people were seeking out Digital Underground from across the entire middle eastern corridor. In 1992, the record store expanded to become a mail order company as well. By this time, records were being directly imported from major industrial labels in Europe, thus offering a... read more
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"Glamour is made of a substance called 'incredibly hard fucking work'"- Angelspit
For Angelspit, nothing can be truer. Since 2004, Angelspit have been one of electronic music’s most prolific acts, thrilling audiences the world over with their concoction of industrial-strength guitar riffs, clever hooks and pathologically disturbed synths. Hello My Name Is shows the band has no intention of relenting the glorious pounding brutality that has earned them the reputation of being one of the most innovative alternative bands in the current crop. Synthesizers are slain, drum machines burn and samplers are tortured as viscous guitars and corruptive beats are added to the mix. From the opening assault on the stifling modern 9-5 work world of “Cubicle”, the glitch-dance rhythms of “Vermin”, the snarling sarcasm of the 8-bit tinged “Defibrillator”, the crushing percussion of “Jailbait”, Hello My Name Is, like the band itself, is a non-stop audio assault on all things that hold back creativity and freedom of expression.
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